To All Our Fans, Listeners and Supporters...

DJ Gary B and DJ Reality Have made the switch to thebestjams.com and they invite you to do the same as well.

I've been mia for a minute due to my schedule which has been kind of crazy as of late and I do apologize to everyone who have been tuning in and not getting to hear my show but I'm definitely making that conscious effort to bring to you what you wanna hear, good music.

So be on the lookout for the show to be back in full swing.

Miguel is the head chef of Flip City Entertainment who also goes by the nickname Boogie Brown, is now calling himself the original Dr. Soose, was raised in Brooklyn for the majority of his childhood years.

He has been a long time disciple of the Boom Bap religion of Hip Hop, he started out as a 'B-Boy' as well as a ranked 'Toy' in the graffiti circles among his peers.

His aspirations of Hip Hop, subway trains and aerosols were hindered by the NYPD upon seeing the threat of 'juvie hall' or his mom and dad looking to kill him for getting into trouble with the law, he soon put the idea down. B-boying was phasing out as well....

In 1994 for a few months he found himself in the London’s East End where he befriended the likes of Marlon and Marvin Kramer, two alternative hip hop DJ's / producers who were on the early drum ‘n Bass and Jungle scene.

Going by the act name, DA ECHO CHAMBAH the three started doing guerilla raves in the London, Kent and Liverpool areas. The gigs were fun but tiresome.

Miguel learned how to do Drum ‘n Bass, Jungle and early Garage while on the gigs.

His first joints were more influenced by foundation beat tweekers to likes of Pete Rock and DJ Premier, whom he respects and fears for some reason.

Some cases you can hear a dusty and twisted sense of humour in his productions that is reminiscent of DJ Muggs from Cypress Hill as well as the 1930's T.V. pop culture flare comparable to Pete Nice and Daddy Rich of 3rd Bass.

Miguel loves his drums sounding dirty with the squeaks of sirens or saxophones in the background. His bass lines are proper but yet twisted and mean sounding. His drum patterns are very perverse in cadences never sounding the same at any given time.

He tries not to sample much which makes him a true producer in that sense of originality.

Though not classically trained his keyboard work isn't too shabby either. He uses alot of nice jazzy and ambient chords which makes his style of music easy to fall in love with.

Picture Issac Hayes or Barry White being backed up by the Bomb Squad or Pete Rock.

That's Boogie, that's who he is sometimes. On the other hand sometimes his productions could sound like a Hip Hop styled episode of the Honeymooners.